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Director Richard Eyre, former artistic director of the National Theatre, creates a wonderfully believable world for his cast to immerse himself in.It stretches from Charles II’s palace at Whitehall to the seedy backstreets where London’s theatres entertained the masses.His comments were part of a feature in which his mother was interviewed as well. In 2008, he apologised after calling soldiers “wimps” in The Sunday Telegraph.
“There is absolutely no evidence that the kids of gay parents suffer in the way they are being brought up or in how they develop." Everett also told how his family’s military background, which included his father serving as an Army Major, meant “some things were simply not talked about”. “But I also think a child needs a mummy and a daddy. It is not the first time Everett has attracted controversy over interviews.
As you leap from theatre to royal court and back again you go from a flickering, dark, claustrophobic enclosed experience to a bright, spacious, expansive place where your every whim is catered for.
The script, by playwright Jeffrey Hatcher, is sharp and funny but it is tragedy and the humanity of these fragile lives that stay with you after the credits roll.
It takes time to realise that she doesn’t have to play at being a woman, she is a woman, and can perform much more naturally.
However, it is Kynaston who has the greater problem, having played a hugely respected woman for so many years, he finds it hard to adjust to life as a man.